a Life of a depressed teenage artist that likes alot of tv shows
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Disney’s The Lion King (1994) Scar Pencil Test 

kasiaslupecka:

Steps of making the last drawing. I wanted to share it because I got some requests to do it. I hope You like this ‘behind scenes’ material ;)

sublim-ature:

Great Sand Dunes NP, Colorado
Stefan Forster

misuzus-fancy-goldfish:

Three colour ryukin!
His Black is turning orange

catbountry:

robotlyra:

stevenwallaby:

claudefelixfloor:

711kid:

what the fuck

this is the scariest shit i’ve ever seen in my life

This is so cool. Eat Otomo Yoshihide’s heart out.

I’m used to associating this sort of heavy creepy distortion type audio as being achieved by internal studio mixing. Picking sections, warping them, reversing, repeating, all that sort of thing done with the board tools and programming suites. I didn’t stop to think that the same sort of effects could be achieved PHYSICALLY by fucking with the playback tools and the storage mediums themelves. It’s incredibly clever, especially when they introduce the cut-apart and reconstructed vinyl platters, it becomes the audio equivalent of cut-paste collaging or magnetic poetry. It takes something as ethereal and insubstantial as music, and makes it as tangible as sculpture.

Whoa.

marymotherofdean:

Dean’s marks
↳ protection, salvation, damnation

He whom God has touched will always be a being apart; he is, whatever he may do, a stranger among men; he is marked by a sign." [x]

starborn-vagaboo:

roachpatrol:

neophyte-redglare:

Gypaète barbu & Fils “Gypaetus barbatus” © Paolo Schwab

that dark vulture looks absolutely convinced that the lighter vulture is a ghost

BABY

lilaira:

stickysheep:

nagrolaz:

becauseicandrawbutts:

零@商稿来袭’s Works

DUUUUUUUUUUUUUUUUUUUUUUUUUUDE! @0@ Dat humanoid Senketsu looks fuckin’ HOOOT. @q@

oh my

Oh…

always reblog