Steps of making the last drawing. I wanted to share it because I got some requests to do it. I hope You like this ‘behind scenes’ material ;)
Three colour ryukin!
His Black is turning orange
what the fuck
this is the scariest shit i’ve ever seen in my life
This is so cool. Eat Otomo Yoshihide’s heart out.
I’m used to associating this sort of heavy creepy distortion type audio as being achieved by internal studio mixing. Picking sections, warping them, reversing, repeating, all that sort of thing done with the board tools and programming suites. I didn’t stop to think that the same sort of effects could be achieved PHYSICALLY by fucking with the playback tools and the storage mediums themelves. It’s incredibly clever, especially when they introduce the cut-apart and reconstructed vinyl platters, it becomes the audio equivalent of cut-paste collaging or magnetic poetry. It takes something as ethereal and insubstantial as music, and makes it as tangible as sculpture.
↳ protection, salvation, damnation
“He whom God has touched will always be a being apart; he is, whatever he may do, a stranger among men; he is marked by a sign." [x]
that dark vulture looks absolutely convinced that the lighter vulture is a ghost
DUUUUUUUUUUUUUUUUUUUUUUUUUUDE! @0@ Dat humanoid Senketsu looks fuckin’ HOOOT. @q@